By The Book Reviews

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Cover for BOTTOM OF THE PYRAMID

BOTTOM OF THE PYRAMID

By Nia Sioux

Publisher: Harper Horizon

The dancer shares how her time on the reality TV show “Dance Moms” impacted her onstage and off.

Review by By The Books Reviewer

In "Bottom of the Pyramid," Nia Sioux delivers a candid and compelling memoir that peels back the glossy veneer of reality television to reveal the raw and often painful experiences of a young Black dancer navigating the treacherous waters of the entertainment industry. Sioux, who rose to prominence as a cast member on Lifetime's "Dance Moms," offers readers an unfiltered look at her journey from the bottom tier of the infamous dance pyramid to a place of self-assuredness and artistic autonomy.

From the outset, Sioux's narrative is both harrowing and inspiring. She recounts the relentless pressure to conform to a narrowly defined aesthetic that marginalized her unique identity. The memoir doesn't shy away from exposing the microaggressions and overt racism she faced, including a particularly egregious comment from her dance instructor, Abby Lee Miller, who once asked, "Don't you just wish you had white-girl hair?" ([publishersweekly.com](https://www.publishersweekly.com/9781400253043?utm_source=openai)) Such moments underscore the systemic biases entrenched in the dance world and the broader entertainment industry.

Sioux's resilience in the face of these challenges is nothing short of remarkable. She draws strength from her tight-knit family and the therapeutic act of writing, which becomes a sanctuary amidst the chaos of reality TV. Her departure from "Dance Moms" before its final season marks a pivotal turning point, allowing her to reclaim her narrative and pursue acting roles in productions like "The Bold and the Beautiful" and the 2024 remake of "Mean Girls." ([publishersweekly.com](https://www.publishersweekly.com/9781400253043?utm_source=openai))

Critics have lauded Sioux's memoir for its authenticity and emotional depth. Publishers Weekly describes it as an "inspiring account of reclaiming artistic agency," highlighting the endearing and infectious nature of her self-assurance. ([publishersweekly.com](https://www.publishersweekly.com/9781400253043?utm_source=openai)) Readers echo this sentiment, with one noting, "This book is so beautifully written, so proud of you Nia. As someone who grew up watching the show, I am so proud of your resilience and perseverance and the person you’ve become today." ([books.apple.com](https://books.apple.com/us/book/bottom-of-the-pyramid/id6538719262?utm_source=openai))

However, the memoir is not without its critiques. Some readers have pointed out that while the initial chapters are engaging, the latter sections tend to become repetitive and didactic, resembling a series of college application essays rather than a cohesive narrative. This structural weakness may detract from the overall impact of the memoir for some audiences. ([app.thestorygraph.com](https://app.thestorygraph.com/book_reviews/66853212-bf0c-409d-9321-0b06c16f0208/content_warning/40?utm_source=openai))

Despite these minor shortcomings, "Bottom of the Pyramid" stands as a powerful testament to the importance of self-definition and resilience. Sioux's journey from being consistently placed at the bottom of the dance pyramid to becoming a confident and successful artist is both compelling and instructive. Her story serves as a beacon for anyone who has ever felt marginalized or underestimated, offering a roadmap for overcoming adversity and reclaiming one's narrative.

In conclusion, Nia Sioux's "Bottom of the Pyramid" is a poignant and thought-provoking memoir that sheds light on the often-hidden struggles faced by young performers of color in the entertainment industry. While it may have its narrative flaws, the book's core message of resilience and self-empowerment resonates deeply. It is a must-read for fans of "Dance Moms," aspiring performers, and anyone interested in the intersection of race, identity, and the arts.

Recommendation: Highly recommended!

written on: 11/13/2025